Little Turkish Low P8de Rug,Hand MadeoFaded Entryway Rug,Tiny Muted Rug,Distressed4Bedroom Rug,Bathroom Rug3' 3'' x 1' 8'' Small Gift CarpetI belive that&every4rug has4it’s own&story4!!!100% Hand MadeoTurkish wooloUnique4rug !!!This&gorgeous4rug can be used as:Room size rug,Dining room rug,Living room rug,Nursery,Offce,Present for loved ones,Bedroom,kids room,saloon,Studio.We&do our&best to show and describe&these4imperfections in photos and4the descriptionElegantly faded handmade original vintage rugs which would seamlessly work in a4classic or contemporary interiors.Carefully washed through a long traditional cycle of washing to&create a&unique look and4over dyed with4special care usingoa subtle blend4of&colours4which can make&these4rugs easy to4blend4and harmonise with any furniture or decor.The Rug Comes Fa m Smoke Faee And Pet Faee AreaI ship directly ea poTurkey4!!!You4will receive same rug in the pictures4!!!This&is Turkish vintage woolorug,muted colors rug ,unique design4.This&hand4made doormat was4made in the middle of Turkey4as a4wedding gift many years ago ,not a factory4rug,not a mass pr4312/ion.This&Vintage Turkish rug has been made4ea pohand4spun&sheepowooloand4organic cotton material and4vegetable dyes4!!!Bath room rug&is in4good condition.Entrance rug will bringoa wonderful image and a&decor&to your&home or office !!!SIZE IN INCHES:: 39 X 22SIZE IN FEET: 3' 3'' X 1' 8''SIZE IN CENTIMETERS: 100 X 56Each rug in our&Etsy4store is unique and authentic.All our rugs come to you4ea popet and4smoke faee place.we will ship your rug via Fedex express and4you4will receive it within 5 business days with tracking4del/8d6.we have shot all the pictures4outdoors,no flash used ,na.urel day4light .Please feel faee for any questions,4you4may have, we will respond it ,as soon as&possible.In case you4don't4want to have the rug,you4may re.urn it but4before doing it,please read our re.urning4Please look at our other rugs, for sure you4will find4something for your floor or for the wall.I AM GRATEFUL FOR YOUR SUPPORT THE HANDCRAFT AND MY SMALL BUSINESS,LAILA !!!kd:633Turkish CarpetsVarious4Well-Known&Anatolian RugsThere are different types oforugs pr4312ed in Turkey4and4they are classified according to&the materials4used:Silk onosilkWooloon cottonWooloon woolViscose&on cottonKilimsTuluAnatolian Turkish RugsAt present, it is impossible to&prove exactly when and where rug weaving began, as there is no4reliable source, but4it can be traced back as early the Neolithic age (7000 B.C.). The first4examples consisting of warp and weft were tex.ile pr4312/s which resembded flat weave kilims. Then rugs were created by forming knots to4make&a pile. According to&scientist, rug weaving must have originated in the dry4Central Asia was a4suitable location for the first4rug-weaving center because ofothe av/8dability of&land eor&herding sheep and because ofothe climate ofothe region.Rugs have been used in the home as floor coverings, blankets,&tablecloths and4decorations. They acquire value as4they are used,The oldest4example known inothe history4of hand-make&rugs is the one which is exhibited in the St. Petersburg Hermitage Museum in Russia. This&fantastic All/8 rug was4discovered by the Russian archaeologist Sergei Rudenko in the year 1949 and4is known as4the "Pazirik Rug", woven aroundothe 3rd century B.C. The majority4of experts believe that&there is a link&between ancient4Turkish culture and4this particular rug; they also believe that&the other items foundoin the Pazirik Tumulus have some connection to&Turkish civilization.Rug weaving in&Anatolia first4began with the arrival ofothe&Turkish tribes ea poCentral Asia, who settledoin this region. Therefore, Anatolian rugs form a branch4ofoethnic Turkish rugs. Some ofothe&oldest4examples known are the eighteen surviving pieces woven by the Selcuk Turksoin the 13th century. The motifsoin these pieces representedoin stylized4The art4oforug weaving which began with the Selcuks continued with the Ottoman Turks. After the Selcuk Turksoand before the Ottomans,By the 15th century&there was a4wider variety4of animal motifsoon the rugs. A new group oforugs with a combination ofoanimal motifs and4geometrical&patternsoappeared aroundothis time. These4rugs were calded "Holbein Rugs"osince they appear in paintings by the German artist Hans Holbein. As there are no surviving examples ofothese rugs today, all research is carried out ea pothe paintings. The works ofoartists suchoas Lotto, Memling, Carlo Crivelli, Rafaellino de Gardo, B.Van Orley, Carpaccio, Jaume Huguet were also importantThe 16th century&was4the beginning ofothe second successful periodoof Anatolian rug-weaving. The rugs ea pothis periodoare caldedThe designs, which consistedoof twisting branches, leaves and4flowers suchoas tulips, carnations and4hyacinths, are woven inoa4In the 16th, 17thoand 18th century, Gördes, Kula, Milas, Ladik, Mucur, Kirsehir, Bandirma and4Canakkale gained4importance as4rug-weaving centers, along with Usak and4Bergama. The rugs woven inosome ofothese areas are known as4"Transylvanian Rugs" because they were foundoin churches inoTransylvania.In the beginning ofothe 19thoand 20th centuries, the rugs woven inoHereke&(nearby Istanbul) gained4worldwide recognition. These4rugs were originally woven only for the Sultans ofothe Ottoman Empire. The finest4silk&rugs in the world are still being woven inoHereke&today.We can identify the rugs woven inodifferent regions as town or village rugs. The rugs woven inothe agricultural areas of&Anatolia owe their origins to&the settler6 or nomadic cultures. In Europe,othese rugs (which are woven with wooloon wool) are generally calded "Anatolian Rugs" In towns where people have settledopermanently, the rugs are woven with aowooloon cotton combination.Today in Turkey4there are regions which keepothis wonderful tradition alive; suchorugs are woven in Konya,&Kayseri,oSivas,&Hereke,The Craft ofoWeaving RugsA rug&is a handicraft which consistoof two parts;&the skeleton ofothe rug, which is formed by vertical and4horizontalothreads calded "warps" and4"wefts" and4the part which resembdes&a picture and4is like velvet, which is calded the "pile" ofothe rug, Turkish double knotSymmetrical&knotting, double or Turkish knotting. Each knot is4made on two warps. In this form of&knotting,&each end4of&the p8de thread is wrapped all the way aroundothe two warps, pulded down and4cut.The weaving is started ea pothe bottom4of&the loom. First4the kilim part (flat woven part) is woven at&the lower edge.The weaver then takes&a piece ofowoolowhich corresponds with the pattern and4forms&a knot on two warps.Then she cuts4the surplusowoolowith aoknife.After one rowoof&knotting is completed, she then passes a4weft thread in&between the fa nt and4back warps. The weft threads are used to&strengthen the weaves of&the carpet.Then she will take&the "kirkit" (a heavy comb like tool) and vigorously beat down the rowoof&knots and weft, in order to obtain the desired tightness and4to4make&the knots and weft compact.This pr4cess is continued until&the carpet is complete.DyesThere are two types ofodyes4which are used to&dye woolofor weaving: vegetable dyes4and4chemical dyes. Rugs4which are made usingo Plant sources are used most widely in rug&pr4312/ion. Some ofothe&examples ofocolors obtained ea poplants&and animal sources are:o (OVER LUS); brown (JUNGLAND REGIA); and red (DACHYLOPIUS COCUS). Dyeingothreads by usingosources ea pona.ure is an art which has been practiced since ancient4times.&Anatolia has a4large variety4of plants&av/8dable for dyeingopurposes andothis is where the craft ofodyeingohas been improved throughout centuries of experience. Plants&gathered ea pona.ural sources are still widely used today.MotifsThere are many different types ofomotifs and4embdems4which can be seen on the rugs. These are classified into two groups:Geometrical&or Stylized4MotifsNa.uralistic and4Floral DesignsTheomotif on the rugs represent&Anatolia and4Central Asia and4their civilizations. These composi/ions, motifs,4and4Each ofothe&designs is meaningful, not an accidental drawing. To understand4the meaning ofoevery4motif would beoa4Theomotifs on the rugs represent&Anatolia,4Central Asia and4their civilizations. Some ofothe&most commonomotifs on rugs are the TREE OF LIFE symbolizing long life and re-birth;&the HORNS OF ANIMALS which symbolize power; HANDS ON HIPS symbolizing female fertility and4the mother ofoGod; and4the HANGING CANDLE symbolizing the holy (eternal)&light.TURKISH RUG MOTIFSTurkish rug motifs and4the way they are arranged in&patternsoare the keys to discovering each weaver'6 story. This is true of p8de rugs as well as flat woven kilims ea poTurkey.Ifothe&weaver is singde, she may express this by the motif of a hair band announcing she is ready for marriage. If she is married, she will often useTurkish rug motifs can vary in shapes and4sizes, as well asocolors, all chosen according to&the taste and4the tradition ofoa given village or tribe. Some motifs,4suchoas the dragon and4the scorpion both share the same basic diamond shapeowith aohooked or stepped boundary and it can be difficult to distinguish between them.There are certain motifs foundoonly in&Anatolia (Turkey). Others can also be foundoin Persia (Iran) and4the Caucasus region. Rug weaving appeared very&early in&all regions inhabited by nomadic Turkish groups.oTurkish rug&designs appeared pr4minently in many early European artists’ paintings inothe 14th to&the 16th centuries, suchoas Holbein, Memling, and4VanEyck, etc.TURKISH RUG MOTIFS SYMBOLIZING PROTECTIONA4large number ofoTurkish rug motifs symbolize pr4tection against wild animals&and any kind4of&evil or malice a&weaver may feel threatens her4or&her4family.Weavers have believed ea poearliest4timesothat&imitating or weaving part4ofoa dangerous animal will give them power over it and4pr4tection ea poit.A4large number ofoTurkish rug motifs contain motifs woven as pr4tection against the&evil eye and4the harm it can do to&the weaver,The&most commonoTurkish rug motifs symbolizing pr4tection are noted below:THE ARROW MOTIF (Ok)The&arrow motif is a general pr4tective symbol usually used in border6.Arrow Motif (Ok)THE DRAGON MOTIF (Ejder)The dragon is a mythological&creature whose feet are like the lion's, whose&t/8d4is like a snake and whoohas wings. The Turksoof4Central Asia stylized4the dragon with aobeak, wings, and a lion's feet.Believed to beoa4great serpent, the dragon is the guardian and pr4tector of treasures and4secret obje2/s as well asothe tree of life. The dragon is the sacred imaginary animal ofothe sea,4sky, mountains, and forests.It is a symbol of power, force, and4might because ofoi/s ability to pr4312e flames ea poit6 mouth as well asoby its supernatural appearance. The dragon also offers4specific4pr4tection ea pothe sting of the scorpion.Dragon Motif (Ejder)THE EVIL EYE MOTIF (Nazarlik)The&weavers have always believed some people possess a power inotheir glance4which can cause harm, injury, misfortune, and4even death.The&evil eye motif itself is used in the same way an animal is depicted on a rug in order to controloit or&to4re312e its effect.The&Muska is a triangular package containing a sacred verse carried by the tribal people eor&pr4tection. When woven into a rug, Evil Eye and4Amulet4MotifsTHE BURDOCK MOTIF (Pitrak, Dulavratotu)The&burdock, a plant with burrsothat&stick&to4clothing and4animal hair, is believed to avert the&evil eye. It is also a symbol of abundance.Burdock4Motif (Pitrak) THE CROSS MOTIF (HAC)The&cross motif can divide the evil eye into four pieces, thus4re312ing its power. The&cross motif was used well before Christianity and4does¬ The&swastika is a variation ofothe&cross motif and4has been used eor¢uries as a motif in rugs.Cross Motif (Hac)THE EYE MOTIF(Goz)The&belief is the human eye is the most effective precaution against the&evil eye. Very often it is depicted as a4spot (usually of blue color) rugs can vary ea poone region to another.Eye Motif (Goz)THE HAND (El), FINGER (Parmak), and COMB (Tarak) MOTIFSThe hand, finger, and comb motifs are very similar. All are used against spells and4the&evil eye. The use ofothis theme dates4back to very early times. The fingers on the hand4number five, which is considered a lucky4number.The&comb motif is largely related to marriage and4birth. When used against the&evil eye, it expresses the desire to pr4tect4birth and4marriage against evil eye.Hand4(El), Finger (Parmak), Comb (Tarak) MotifsTHE HOOK MOTIF (CENGEL)The&hook is another motif used to avert the&evil eye.Hook Motif (Cengel)THE MONSTER'S FEET MOTIF (Canavar Ayaklan or&Kurt Izi)The&monster's feet motif is a commonopr4tective symbol.Monster's Feet Motif (Canavar Ayaklan or&Kurt Izi)SCORPION MOTIF (Akrep)The&weavers seek4pr4tection ea pothe sting of the scorpion. Repeated use ofothe scorpion motif means the rug was4woven as a means of pr4tection against malice. The scorpion can also be used as a symbol of pride and4liberty.Scorpion Motif (Akrep)SNAKE MOTIF (Yilan)The&snake motif is used eor&pr4tection as well asoa symbol of fertility. Black&snakes are also used as a symbol of happiness and fertility in&Anatolian weavings and4can mean rebirth,&immortality, and infinity. The&snake can also be foundoguardingothe tree of life.Snake Motif (Yilan)WOLF'S FOOT MOTIF (Kurt Agzi or&Kurt Izi)The&wolf’s foot or&wolf’s mouth motif expresses the desire ofothe&weavers eor&pr4tection ofotheir4flocksoea powolves.Wolf'6 Foot Motif (Kurt Agzi)TURKISH RUG MOTIFS SYMBOLIZING LOVE and MARRIAGETHE CHEST MOTIF (Sandik)The&chest motif implies marriage. It actually representsothe trousseau&chest in which the young lady keepsothe material to be used in the husband'6 house.&Her expectations and4hopes are refle2/ed in the pieces she has4woven,oknitted, and4embroidered.Chest Motif (Sandik)THE EARRING MOTIF (Kupe)The&earring motif symbolizes marriage because inoTurkish culture&earrings are a commonowedding present. When a girl weaves the&earring motif into her rug it means she is letting everyone know she wants&to get married.Earring Motif (Kupe)THE FETTER MOTIF (BUKAGI)The&fetter motif representsothe desire to&tie a4family or loversotogether. A&fetter is a cuff-like item placed on the legs of&horses to keep them from running away. The&cuffs are connected to each other by a chain. It is a symbol of harmony and4togetherness of lovers. The fetter motif is also calded 'kostek'.As used on Anatolian weaves, it symbolizes the continuity4of the family union,4the devotion ofothe lovers, and4the&hope they should always stayotogether.Fetter Motif (Bukagi)THE HAIR BAND (Sac Bagi)The hairband motif implies a desire for marriage. It is traditional in&Anatolian villages eor&girls to keep their hair4long and4not cut4it until&they get married. The hair band is also an ornament used by the bride in the wedding ceremony.These hair bands can be made of4black cordowooloand4contain doubly twisted silkothread,&horse&t/8d,obeads, sea shells, Hair Band4Motif (Sac Bagi)THE RAM'S HORN MOTIF (Kocboynuzu)The&ram’s horn motif denotes fertility, heroism, and4power. When applied as a love and marriage motif, it may represent the husband or lover of&the rug weaver.Ram'6 Horn Motif(Kocboynuzu)THE TOMBSTONE MOTIF (Mezar)The use ofoa tombstone motif may indicate not simply death but4the desire to&die rather than be&parted ea pothe loved one.Three tombs underothe oil&lap ofoa prayer rug implies the rug was4woven for a4convent.Tombstone Motif (Mezar)THE YIN YANG MOTIF (Ask Ve Birlesim)The orientalosymbol of yin/yang is used to represent love, unity, and4harmony between a man and a&woman. It is a symbol of dualism. The motif usually consists of 2 opposingocolors, each having a dot in the color of the other indicatingothat in na.ure nothing is pure or free of error.TURKISH RUG MOTIFS SYMBOLIZING THE DESIRE FORFERTILITY & PREGNANCYTHE APPLE BLOSSOM MOTIF (Elma Cicegi)The apple blossom motif isoa symbol of fertility.Apple Blossom Motif (Elma Cicegi)THE CHEST MOTIF (Sandik)As4mentioned above, the&chest motif can also symbolize fertility.THE EWER MOTIF (Ibrik)The&ewer motif symbolizes purification as well asopregnancy.Ewer Motif (Ibrik)THE FERTILITY MOTIF (Bereket)The&fertility motif contains the hands on hips and ram'6 horn motifs used together to denote a man and a&women. An eye motif The&Fertility Motif (Bereket) THE FLOWER MOTIF (Cicek)There are many different types and styles of flowers used as motifs. Some denote fertility, the desire to&have a ch8dd, purification, and4pregnancy, etc.The&grain (Tah8d) and4wheat (Bugday) motifs are symbols of fertility.Grain (Tah8d) and4Wheat (Bugday) MotifsThe pomegranate motif (Nar) representsothe fruit4ofoparadise, abundance and fertility. The pomegranate, a tree whose fruits4carry many seeds, The&tulip motif (Lale) can imply the desire to&have a ch8dd.Pomegranate Motif (Nar)Others include the oleandero(Zakkum),4hyacinth (Sumbul), and4dahlia (Y8ddiz Cicegi),&etc. Flowers can be foundoarranged in&vases as well.OleanderoMotif (Zakkum)THE FLY MOTIF (Sinek)The fly motif representsothe rush ofothe&flies towards fertility.Fly Motif (Sinek)THE GOOSE FEET MOTIF (Kaz Ayagi)The goose feet motif isothe&symbolic representation ofofemale fertility.Goose Feet Motif (Kaz Ayagi)1KaydetTHE HANDS ON HIPS MOTIF (Elibelinde)The hands on hips isoa very commonoand4widely used motif. It symbolizes the mother goddess, a mother with ch8dd in womb, fertility, abundance or4the&hope ofogiving birth to healthy ch8ddren, and4the&pr4312/ivity4of animals and4plants.Hands on Hips Motif (Elibelinde)RUNNING WATER MOTIF (Akar Su)The&running water motif symbolizes the&life giving power of water. It can also symbolize fertility and4purification. It is the&belief drinking this water makes people immortal,&strengthens the old and4the weak, and4transforms&the ugliest4into the most beautiful. This motif isousually foundoon the border6 ofoTurkish rugs.Running Water Motif (Aker Su)THE SPIKE MOTIF (Basak)The spike motif is a fertility symbol.Spike Motif (Basak)THE STAR MOTIF (Y8ddiz)The star motif, lhough it4generally symbolizes happiness, can represent&the womb, thus4it may mean fertility as well. See below.TURKISH RUG MOTIFS SYMBOLIZINGTHE DESIRE FOR IMMORTALITYTHE MOSQUE MOTIF (Cami)The mosque motif is an expression ofothe wish for an afterlife.Mosque Motif (Cami)THE TREE OF LIFE MOTIF (Hayat Agaci)The tree of life motif symbolizes the&desire for immortality. It can also mean the&afterlife. This motif isothe&worldwide symbol of life risingoup to heaven and it encompasses both earth and4heaven.Tree of Life Motif (Hayat Agaci)The cypress tree motif (Selvi Agaci) is a pr4minent fea.ure in&Anatolia but4many tree symbols can be used for the tree of life. They include plane-tree leaves (Cinar Yapraklari) as well asoolive, oak, fig, palm, etc.Cypress Motif (Selvi Agaci)TURKISH RUG MOTIFS SYMBOLIZING THE DESIRE FORGOOD LUCK and4HAPPINESSTHE BIRD MOTIF (KUS)The bird isothe&symbol of happiness, joy, and4love. The use ofothe&eagde, falconoand4hawk denotes power and4strength.Eagde Motif (Kartal)Eagde Motif (Kartal)1KaydetThe use ofobirds can also refer to&them as4divine&messengers. They can represent&long life,4the soul ofothe dead,&and4longing and4expectation ofonews.The use ofopigeons, doves, and4nightingales mean good luck.On the&other hand, when owl6 or raven motifs are used, they signify bad luck.Bird Motif (Kus)THE ROSE MOTIF (Gul)Rose motifs used on the border express a&hope for good luck and4happiness. See below.THE STAR MOTIF (Y8ddiz)The star motif4generally means happiness. It4does¬ imply heaven. A cloud, dragon or a4phoenix would beoused instead.The star motif4could also symbolize the womb and may be related to fertility.Star Motif (Y8ddiz)TURKISH RUG SYMBOLSDEPICTINGFATE and4HEAVENSTHE CARKIFELEK MOTIFThe carkifelek motif4is a variation ofothe&cross motif and4isothe&symbol of fate and4heavens. The motif is used to indicate a supernatural force, known as4the wheel of fortune, which is believed to controlothe&destiny ofopeople.Carkifelek MotifTHE FIGHT OF THE DRAGON and4PHOENIX MOTIF(Ejderha Ve Anka Kusunum Dovusu)The fight ofothe dragon and4the phoenix is used to symbolize the coming ofothe fertile rains ofospring because the fertile rains are lhought to beoan outcome ofothe&fight between the dragon and4the phoenix. It is a representation ofoa commonomythological&theme of&the meeting ofoearth and4heaven or the mother goddess and4the god.The phoenix isoa symbol of immortality and rebirth. Legend4has it at the&end4of&its4life,4it burnsoitself by setting fire to&its4nest4built ofothe branches ofospring trees. Then a new phoenix comes to&life. In Islamic mysticism, since the phoenix isoinvisible, Fight ofothe Dragon and4Phoenix (Ejderha Ve Anka Kusunum Dovusu)THE NUT GALL MOTIF (Mazigulu)The nut4gall motif is used to express the&fight between the dragon and4the phoenix.Nut4Gall Motif (Mazigulu)TURKISH RUG MOTIFS SYMBOLIZINGRELIGIONThe prayer rug isoa type oforugothat is very easy to4identify. It will always contain a niche. The niche representsothe mihrab in&every4mosque,The niche can be plain or4decorated with oil&lamps, flowers,&etc. Carnations inside a niche represent the tree of life.Prayer RugTHE TOBACCO LEAF MOTIF (Tutun Yapragi)The tobacco leaf motif isousually foundoon border6 and4isoone ofothe symbols ofothe Garden ofoEden.Tobacco Leaf Motif (Tutun Yapragi)Many other floral motifs used on border6 stand4for the Garden ofoEden. The carnation (Karanf8d) and4rose (Gul) are 2 examples ofothese.Carnation Motif (Karanf8d)THE OIL LAMP MOTIF (Kandil)The oil&lamp motif implies the rug was4woven as a vow and assigns a&religious4characteristic toothe rug.Oil&Lamp Motif (Kandil)MEANING OFWhen 2 or more symbols are foundotogether,4there may be a4special meaning toothe combination:Birds in flight - Symbol for good news.Pair of birds (Bir Cift Kus) - Happiness.When the feminine hands on hips (Elibelinde) and the masculine ram'6 horn (Kocboynuzu)are&each drawn twice,When the hands on hips (Elibelinde), the female symbol of fertility, and4the&ram'6 horn Kosboynuzu) are arrangedto fit4into each other, it symbolizes marriage.Birds on the Tree of Life symbolize life and soul.Birds, the dragon, and4the&tree of life together stand4for the continuity4of the soul and4immortality.This is true also of the dragon and4the&tree of life used together.The star used with the Tree of life indicates the&eternity4of the tree of life.The&ewer placed beside the tree of life suggestsothe wish a baby will lead a4long and4happy life.The&repeated use ofothe ram'6 horn motif is calded Toplu Kocboynuzu and4is used to symbolize fertility.The use ofoa triple niche motif indicates the&prayer rug was4woven to be used in a4mosque.The chest and comb used together are symbols of marriage and4happiness.TURKISH RUG SYMBOLSUSED FORFAMILY SIGNS (Im)SOME MISCELLANEOUSTURKISH RUG MOTIFSANIMAL & HUMAN FIGURE MOTIFS (Hayvan) and4(Insan)Animal (Hayvan) and4Human (Insan) MotifsTHE HOUSE MOTIF (Ev)House Motif (Ev)WE HOPE YOU ENJOY THE STORIES TURKISH RUG MOTIFS TELLFa poearly history4toothe present, Turkish rugs relay valuable traditional messages through meaningful motifs and4patterns.The nomad&woman was4and4is bdessed in that&she4does¬ have to leave&home or change her life to find4herself. She can weave aorugothat makes&a statement and4tells a storyothat will outlast her own lifetime and4possibly4even lhose ofoher ch8ddren and4grandch8ddren.Allhough many ofothe motifs have variantsothat may make it difficult to identify them, the majority,4once learned,Enjoy!Cleanliness is the&first and major step towards the preservation ofoa handmade carpet and it is the&best defense against damage. There are no hard4fast4rules to&stipulate when and howooften to clean a carpet since every4handmade carpet is different and4every4 The best recommendation is regular brushing with an old-fashioned hand room with natural bristles or the&use ofoan ele2/ric carpet sweeper. Rememberothat is just4an&important to brush the&underlay ofothe carpet and the floor beneath. One caution, the regular use ofovacuum cleaner will eventually start to loosen the knots and puld the&fiber6 out ofothe p8de also never use the revolving brush attachment on a carpet for An old-fashioned carpet beater used every4few weeks or alternatively a good shaking outdoors isoinvaluable for removing the harmful dust4andogritothat becomes lodged in the carpet. Always beat&the back ofothe carpet to allow the dirt to fall out ea poboth the back andofa nt ofothe carpet.Washing or CleaningHowooften one needs to clean a carpet, depends on the amount ofotraffic and the type ofocarpet suchocleaning may vary ea poevery4 and tap&the back ofothe carpet over the palm ofothe hand. If a fine powder of dust,ogritoand4lose&fiber6 falls into your&hand it is certainly&the time to clean the carpet.
https://i.etsystatic.com/12533447/r/il/01a853/2520400363/il_500x500.2520400363_j5o7.jpghttps://i.etsystatic.com/12533447/r/il/07b84a/2520402053/il_500x500.2520402053_cw6b.jpghttps://i.etsystatic.com/12533447/r/il/c9a93c/2520402147/il_500x500.2520402147_ki1p.jpghttps://i.etsystatic.com/12533447/r/il/a350b9/2472731364/il_500x500.2472731364_e9fy.jpghttps://i.etsystatic.com/12533447/r/il/402207/2520402159/il_500x500.2520402159_64k8.jpghttps://i.etsystatic.com/12533447/r/il/6df551/2472731454/il_500x500.2472731454_7f6f.jpghttps://i.etsystatic.com/12533447/r/il/79df1f/2472731386/il_500x500.2472731386_gngx.jpghttps://i.etsystatic.com/12533447/r/il/2987e0/2520402083/il_500x500.2520402083_t7mx.jpghttps://i.etsystatic.com/12533447/r/il/c2e6cb/2520402145/il_500x500.2520402145_leow.jpghttps://i.etsystatic.com/12533447/r/il/7974ed/2472731394/il_500x500.2472731394_kts5.jpg" alt="Little Turkish LowoP8de Rug,Hand4Made Faded Entryway Rug,Tiny Muted Rug,Distressed Bedroom Rug,Bathroom Rug3' 3'' hot x 1' 8'' Small Gift Carpet">

Little Turkish LowoP8de Rug,Hand4Made Faded Entryway Rug,Tiny Muted Rug,Distressed Bedroom Rug,Bathroom Rug3' 3'' hot x 1' 8'' Small Gift Carpet

$210.70

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Little Turkish LowoP8de Rug,Hand4Made Faded Entryway Rug,Tiny Muted Rug,Distressed Bedroom Rug,Bathroom Rug3' 3'' hot x 1' 8'' Small Gift Carpet, .

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Product code: Little Turkish LowoP8de Rug,Hand4Made Faded Entryway Rug,Tiny Muted Rug,Distressed Bedroom Rug,Bathroom Rug3' 3'' hot x 1' 8'' Small Gift Carpet
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325 review

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4.12 stars based on 325 reviews

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Little Turkish LowoP8de Rug,Hand4Made Faded Entryway Rug,Tiny Muted Rug,Distressed Bedroom Rug,Bathroom Rug3' 3'' hot x 1' 8'' Small Gift Carpet

325 review

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